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Scholarship

My primary scholarly focus is the analysis of constructions of blackness as distinct from constructions of race in the Early Modern World and how this divide continues to resonate and inform our readings and performances of blackness in plays from Shakespeare and his contemporaries.  Relying heavily on contemporary critical race theory, my work seeks to expand the geographical and temporal framework of Afro-pessimism to reveal how blackness occupied a position of Social Death prior to the chattel slave trade. In doing so, I aim to reveal ways in which anti-black racism existed in the English psyche prior to encounters with black bodies and how this abjection of blackness shapes our modern world.

 

Secondary interests include Anti-Racist Actor Training, Early Modern English Drama, Contemporary Black Theatre, Theatre Pedagogy, Chican/x Theatre, Devising, and the role of Black Arts in the Academy.

Shakespeare and Antiblack World-Making

Shakespeare and Antiblack World-Making

Finalist, Outstanding Book Award, Association for Theatre in Higher Education

Teaching Race in the European Renaissance: A Classroom Guide

Teaching Race in the European Renaissance: A Classroom Guide

  

The Other "Other": Anti-Black Racism in Early Modern English Drama

The Other "Other": Anti-Black Racism in Early Modern English Drama

  

Teaching Race, Gender, and Women in the Renaissance: A Conversation between Matthieu Chapman and Anna Wainwright

Teaching Race, Gender, and Women in the Renaissance: A Conversation between Matthieu Chapman and Anna Wainwright

  

"Introduction to the Special Section: Care" With Miles Grier

"Introduction to the Special Section: Care" With Miles Grier

  

The Atrocity of Denying Black Being in Shakespearean Performance

The Atrocity of Denying Black Being in Shakespearean Performance

  

Whitewashing White permanence: The (dis)/(re)membering of white corporeality in early modern England

Whitewashing White permanence: The (dis)/(re)membering of white corporeality in early modern England

  

“Away, You Ethiop!”: A Midsummer Night’s Dream and the Denial of Black Affect—A Song to Underscore the Burning of Police Stations

“Away, You Ethiop!”: A Midsummer Night’s Dream and the Denial of Black Affect—A Song to Underscore the Burning of Police Stations

  

"Shakespeare for Everyone? History, Dramaturgy, and the Black Flesh as Prop in Transracial Shakespeare"

"Shakespeare for Everyone? History, Dramaturgy, and the Black Flesh as Prop in Transracial Shakespeare"

 

"The Stained Glass Menagerie: Dramaturging Race, History, and Violence"

"The Stained Glass Menagerie: Dramaturging Race, History, and Violence"

  

"Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World"

"Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World"

 

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